Eliot argues that art must be understood not in a vacuum, but in the context of previous pieces of art. Penn State Press (2005. The narrator focuses particularly on the poet's art of manipulating "Words which strain, / Crack and sometimes break, under the burden of time, under the tension, slip, slide, perish, decay with imprecision, and will not stay in place, / Will not stay still." By comparison. The Sanskrit mantra ends the poem.
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Impersonal poetics Eliot,.S. National or State Honours edit These honours are displayed in order of precedence based on Eliot's nationality and rules of protocol, not awarding date. Eliot, Thomas Stearns Archived t the Wayback Machine. 27 The marriage was markedly unhappy, in part because of Vivienne's health issues. Nevertheless, he concluded, "Ultimately, as both Raine and, to do him justice, Julius insist, however much Eliot may have been compromised as a person, as we all are in our several ways, his greatness as a poet remains." 100 In another review of Raine's 2006. He would like to be something of a popular entertainer, and be able to think his own thoughts behind a tragic or a comic mask. 85 The initial critical response to Eliot's "The Waste Land" was mixed. John of the Cross and Julian of Norwich. 58 It must also be acknowledged, as Chinmoy Guha showed in his book Where the Dreams Cross: liot and French Poetry (Macmillan, 2011 that he was deeply influenced by French poets from Baudelaire to Paul Valry. 4 to 1914, he was back at Harvard studying Indian philosophy and Sanskrit. 163 Bergonzi 5455 Brooker, Jewel Spears.