of all in its pure preoccupation with the invention and arrangement of spaces, surfaces, shapes, colors, etc., to the exclusion of whatever is not necessarily implicated in these factors. A site devoted to brands that have passed from memory. What does Keats write about mainly, if not the effect of poetry upon himself? However, aside from the fact that in a sense Aristotle may still be right, it must be explained that ancient Greek music was closely associated with poetry, and depended upon its character as an accessory to verse to make its imitative meaning clear. Also known as Miscellany, depending on the year. Instead, as it was for Rosenberg, he felt that the work of art represented the reality of the artists engagement in the culture around him. He posited that, after an inaugural period of innovation in Europe, Modernist painting became sublime in Abstract Expressionism, beautiful in the of such artists as Louis, and then declined in imitative, all-too-reductionist Minimalism. Our old English ballads, for instance, were not created by the "folk but by the post-feudal squirearchy of the English countryside, to survive in the mouths of the folk long after those for whom the ballads were composed had gone on to other forms.
We may have come to prefer Giotto to Raphael, but we still do not deny that Raphael was one of the best painters of his time. The Gobbler: the Grooviest Motel in Wisconsin. Prior to this the only market for formal culture, as distinguished from folk culture, had been among those who, in addition to being able to read and write, could command the leisure and comfort that always goes hand in hand with cultivation of some sort. Watson suggests that, in a capitalist society, art is above all a luxury commodity, and art criticism is the packaging designed to create a taste for. Are there other, and perhaps more important, factors involved? This is what is really meant when it is said that the popular art and literature of today were once the daring, esoteric art and literature of yesterday. Clive Bell came to the conclusion that it was abstract, formal elements that counted mostthat alone were essentialso that a painting no longer had to represent an object or figure. Bell famously dismissed representational content as incidental anecdote, irrelevant to visual experience. That about says it, no? In so doing, Alloway opened the way to a new sense of what he called the social topicality of art. It is a platitude that art becomes caviar to the general when the reality it imitates no longer corresponds even roughly to the reality recognized by the general. Migny : a 70s Paris hotel brochure.